散步三部曲 Walking Trilogy
(2021-2022)

三部短片皆因冲动而起(寻找、好奇、逃逸),然顺势卷入与陌生环境和对象的气旋编织,向不确定性和共时性敞开,强调彼此间的相互作用、能量流转,记叙着由散步引发的不同维度的反应可能性。如果自然只是在相互作用中描绘世界,那么想要一个怎样的世界就不能僭越相互作用的方式。
Each of the three short films was sparked by an impulse—searching, curiosity, or escape—but soon became entangled in a cyclone of encounters with unfamiliar environments and objects. Embracing uncertainty and synchronicity, they highlighted interactivity and the flow of energy. Through walking, Wan unfolded different layers of response, each shaped by chance, friction, and movement. If nature only depicts the world through interaction, then the kind of world you want cannot override the way of interaction.


看不到完整的风景
Can’t See a Complete View

27’57’’ | 2021

从新城区的家里看不到完整的风景,我上附近寻找,直到遇见一位归途而来的老人……看不到完整的风景,除非把自己放进去。

Not being able to get a complete view from my home in new town district, I went out to look around until I met an old man returning home… Perhaps the full view only exists when we're part of it.
View online

双生集 Symbiosis
(2022-2025)

如果「散步三部曲」是即兴反应剧场,那么「双生集」就是在偶发性与自发性的指引下,与身边不同领域和身份的朋友展开的共同创作,“将两人视作整体来运动,不丢不顶,相互倾听和回应”(此语出自“一起练功”对“同柔共弱”的描述)。
If Walking Trilogy is a theater of improvisational response, then Symbiosis is a collaborative practice guided by spontaneity and chance encounters—with friends from diverse backgrounds. We move as one: neither retreating nor resisting, listening and responding in tandem—echoing a phrase from the Energy Waving Collective (Yi Qi Lian Gong), which describes the idea of “bound in softness, together in fragility.”

相处集
Ways of Being With
(2022-2024)

多于两人的群体实践状态,叙事上基本都会模糊现实与虚构的边界。
This collection involves interactions and practices between multiple people,
with a narrative that deliberately blurs the boundaries between reality and fiction.

海报:欧飞鸿+宝娟
Poster: Ou Feihong & Baojuan

地下室的三条娃娃鱼
Three Giant Salamanders
in the Basement

49min | 2022

编剧:万青,44月报
导演:万青
出镜:欧飞鸿,张涵露,伍勤,程新皓,韩倩,潘赫,梁健华,冯俊华,万青
场景支持:上海外滩美术馆,夜校

简介:在投胎办事处,“人们”经由共同劳动与感知、协商与分歧将会面临两个问题:男人还是女人?新人还是真人?——这个过程业已持续三千年。本片为“玉良离开豆腐工厂”集体项目(44月报第九期,“美好生活”,外滩美术馆,2022)的平行叙事,由44剧场邀约而生。
* 2023年,来自44月报第十期的大珍为此片录制了含旁白描述的口述影像版,因为有几名伙伴因时间旅行而视觉受损。

Screenwriter: Wan Qing, 44 Monthly
Director: Wan Qing
Cast: Ou Feihong, Zhang Hanlu, Wu Qin, Cheng Xinhao, Han Qian, Pan He, Liang Jianhua, Fung Junhua, Wan Qing
Venue Support: Rockbund Art Museum, Night School

In the office for reincarnation, "human beings", through working and feeling together, and through negotiation and disagreement, will face two questions: to be man or woman? New being or real being? This condition has been going on for three thousand years.
This film is a parallel narrative to the collective project Yuliang Leaving the Tofu Factory (44 Monthly Vol.9, The Good Life, Rockbund Art Museum, 2022), created at the invitation of Theatre 44.
* In 2023, an audio-described version of this film was recorded by Big Zhen from 44 Monthly Vol.10, in consideration of comrades who experienced visual impairment due to time travel.

Trailer 1Trailer 2
海报:欧飞鸿+宝娟
Poster: Ou Feihong & Baojuan

离开的人和留下的人
Those Who Leave, Those Who Stay

67min | 2024

导演:万青
出镜:张涵露,欧飞鸿,万青
场景支持:阿那亚·金山岭,前台osf,刺高联记

简介:这是一趟罕见的旅程。我们前往北方的郊区写生,lu(张涵露饰)即将结束在广州甚至国内的连续生活,ou(欧飞鸿饰)念叨着未来十年在中国的云游养老,我徘徊在此,感受生命的无常和无意外。
过去七年,集体工作的经历我们并不缺乏,但,我的伙伴,我的朋友,我们并不真的相互了解,我们连自己都没做够。已太多的,是来不及告别就消失的,爱人友人甚至轻视过的人;这一回,我只想放弃掌控……
* 本片为“五日谈”小组项目(张涵露 x 万青 x 欧飞鸿)中的个体创作,由阿那亚艺术中心委任创作。

Director: Wan Qing
Cast: Zhang Hanlu, Ou Feihong, Wan Qing
Venue Support: Aranya Jinshanling, QianTai-osf, Ci Gao Union

This was a rare journey. We went to northern suburbs to paint from life. lu (played by Zhang Hanlu) was about to end her continuous life in Guangzhou and even in China. ou (played by Ou Feihong) talked about his ten-year travel plan to spend the senior ages in China. I wandered, feeling the impermanence of life, where no surprise existed.
Over the past seven years, we didn't lack the experience of collective work, but, my companions, my friends, we don't really know each other, we haven't even been ourselves enough. Too many are the ones who disappeared without a chance for farewell—lovers, friends, and even those once despised; this time, I just want to let go of control…
* This film is one of the individual creations of the group project A Talk in Five Days (Zhang Hanlu x Wan Qing x Ou Feihong, 2024),
and was commissioned by Aranya Art Center.

Trailer

作品在展览现场:“出门写生!”,阿那亚艺术中心,秦皇岛,2024
Work on Site: Paint for Life! , Aranya Art Center, Qinhuangdao, 2024

动作集 Movements
(2020-2025)

以期保持灵敏、警觉,不想失去对现实和变化的反应能力,不愿阻挡幽默。
To remain sensitive and alert, responsive to reality and change, and open to humor.

接落叶
Catching Leaves

5’47’’ | 2021-2025

View online

早期纪录
Early Documentaries
(2015-2019)

早期的影像实践着重从公共行动场域出发,关注、呈现多种社会议题及其互动关系,同时清理情绪中的惯性模式,并在觉察两者的相互作用中重新理解自己和世界的关系。创作之外,各地的自组织放映也被视作公共影像生产的必要环节去实践。
These early video practices began in the realm of public actions, aiming to trace social structures while disentangling habitual emotional patterns. Through sensing the interaction between these two dimensions, Wan sought to re-examine the relationship between self and world. Beyond creation, Wan considers self-organized screenings in diverse spaces an essential aspect of public image production.

周边 Publications

贴纸:我请警察散个步
Sticker: A Walk Invitation to the Police

日语‍&英语
Japanese&English
2024

* 致谢「一起练功」
* Thanks to Yi Qi Lian Gong (Energy Waving Collective).

随「一起练功」在第八届横滨三年展,2024。ou/摄
At the 8th Yokohama Triennale as part of Yi Qi Lian Gong, 2024. Photo by ou.

简历 Bio


万青,1993年生于重庆,2015年毕业于中山大学新闻系,现主要穿梭在广州和四省交界的武陵山地区,使用影像、行为等方式转化自身遭遇并搅动空气。她除了是「一起练功」和「44剧场」的成员、「有限影厅」的发起人、「前台osf」的打理人,也是五行针灸的实践者。生活、创作、群体实践,这三重与现实的交互机理透过其身体场域彼此激发和塑造,持续滋长着复合幽微的地貌。

Wan Qing (b. 1993, Chongqing) graduated with a degree in Journalism from Sun Yat-sen University in 2015. She currently moves between Guangzhou and the Wuling Mountains, a region spanning the borders of four provinces, working primarily with video and performance to transform personal experiences and stir the air.
Wan is a member of Theatre 44 and Energy Waving Collective (Yi Qi Lian Gong), the initiator of limilink, the caretaker of QianTai-osf, and also a practitioner of Five Element Acupuncture.
Life, creation, and collective practice—three modes of engaging with reality—interact and intertwine through her bodily field, shaping a layered and subtle landscape.

部分展览记录:

(个体身份)
个展:
“盲人不按摩”,麦勒画廊·弦xián,北京,2024
“点状的关切开始可以相互抵达”,夜校,上海,2022
群展:
“投石问路”,莫干山美术馆,湖州,2025
“人间食粮”,外部空间,北京,2025
“我与你”,外部空间,北京,2024
“新人或真人”,立方计划空间,台北,2024
“病中行”,CEF实验影像中心,2023
“步行指南”,长征空间,北京,2023
“漫长的婚礼”,李筱天&吴文礼居所,广州,2018

(团体身份)
张涵露x万青x欧飞鸿:
“出门写生!”,阿那亚艺术中心,秦皇岛,群展,2024
一起练功:
“野草——我们的生活”,第八届横滨三年展,横滨,2024
“应激之机”,泰康空间,北京,群展,2023
44剧场:
“美好生活”,外滩美术馆,上海,群展,2022
“完美之隙”,华宇艺术中心,三亚,群展,2021
“潘玉良:沉默的旅程 ”,广东时代美术馆,广州,群展,2017
写母亲工作组:
“制性造别”,泰康空间,北京,群展,2018

Exhibition records (selected):

* as an individual
Solo:
Blind Choice, Galerie Urs Meile·Xián, Beijing, 2024
Dot-like Care Can Start to Reach Each Other, Night School, Shanghai, 2022
Group:
Where the Stone Lands, Moganshan Museum of Art, Huzhou, 2025
Fruits of the Earth, Outside Art Space, Beijing, 2025
I and You, Outside Art Space, Beijing, 2024
New Being or Real Being, The Cube Project Space, Taipei, 2024
Time beyond Mourning, Centre for Experimental Film, 2023
Walking Guides, Long March Space, Beijing, 2023
A Long Wedding, The Residence of Li Xiaotian & Wu Wenli, Guangzhou, 2018

* as a member of a group
Zhang Hanlu x Wan Qing x Ou Feihong:
Paint for Life! , Aranya Art Center, Qinhuangdao, Group, 2024
Energy Waving Collective:
Wild Grass: Our Lives, The 8th Yokohama Triennial, Yokohama, 2024
Bodily Reaction: Vitalizing The Bare Life, Taikang Space, Beijing, Group, 2023
Theater 44:
The Good Life, Rockbund Art Museum, Shanghai, Group, 2022
The Perfect Flaw, Huayu Art Center, Sanya, Group, 2021
Pan Yuliang: A Journey to Silence, Times Museum, Guangzhou, Group, 2017
Writing Mothers:
Genders Engender, Taikang Space, Beijing, Group, 2018

提名:
“未来之星 Future Greats”,艺术世界ArtReview,2023
“十荐4”,张献民,2024
收藏:
纽卡斯尔华语独立影像资料馆CIFA
写作散见于:
同时hxotnongd、ding-ding-fing! 、广东时代美术馆、ARTFORUM中文网、艺术世界ArtReview、艺术界LEAP

Nominated by:
Future Greats, ArtReview, 2023
Ten Recommendations 4, Zhang Xianmin, 2024
Collected by:
Chinese Independent Film Archive
Writings have appeared in:
Tong Shi_hxotnongd, ding-ding-fing!, Times Museum, Artforum, ArtReview, LEAP

观感&评论:
沈军 | 写万青:同柔共弱 | 歧路批评 2025
万青:如何学习艺术 | 艺术世界 ArtReview 2023
Future Greats | 万青,由任越推荐 | 艺术世界 ArtReview 2023

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Contact
email: wqr2027@proton.me
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