Single-channel video, 33min, 2026
由于思念故乡,但又不想持续卷入原生家庭的负债漩涡,2026年的农历新年,我在与故乡接壤的六个县待了二十多天,它们位于四省交界的武陵山地区,分别是彭水苗族土家族自治县(重庆),沿河土家族自治县(贵州),秀山土家族苗族自治县(重庆),湘西土家族苗族自治州龙山县(湖南),恩施土家族苗族自治州来凤县、咸丰县(湖北)。期间,我邀请本地人问我一个问题:你来做么子?聊天结束后,我向对方支付12元的酬劳,它是2025年中国的平均时薪。
* 在询问的203位本地人中,有14位接受了我的邀请和拍摄,有1位债务当事人与我倾心交谈但不便出镜,在此均深表感激和祝福。
Homesick but determined to stay out of my family's debt spiral, I spent over twenty days during the 2026 Lunar New Year in six counties bordering my hometown.These places lie deep in the Wuling Mountains, where four provinces meet, and are all ethnic minority autonomous counties: Pengshui Miao and Tujia Autonomous County (Chongqing), Yanhe Tujia Autonomous County (Guizhou), Xiushan Tujia and Miao Autonomous County (Chongqing), Longshan County of Xiangxi Tujia and Miao Autonomous Prefecture (Hunan), and Laifeng and Xianfeng Counties of Enshi Tujia and Miao Autonomous Prefecture (Hubei).During the trip, I invited local people to ask me one question: “What are you here for?” At the end of each conversation, I paid them 12 RMB—the average hourly wage in China in 2025.
* Of the 203 local people I approached, 14 accepted my invitation and agreed to be filmed. One person involved in debt spoke with me sincerely but preferred not to appear on camera. I extend my heartfelt thanks and best wishes to all of them.
Trailer
49min | 2022
编剧:万青,44月报
导演:万青
出镜:欧飞鸿,张涵露,伍勤,程新皓,韩倩,潘赫,梁健华,冯俊华,万青
场景支持:上海外滩美术馆,夜校
简介:在投胎办事处,“人们”经由共同劳动与感知、协商与分歧将会面临两个问题:男人还是女人?新人还是真人?——这个过程业已持续三千年。本片为“玉良离开豆腐工厂”集体项目(44月报第九期,“美好生活”,外滩美术馆,2022)的平行叙事,由44剧场邀约而生。
* 2023年,来自44月报第十期的大珍为此片录制了含旁白描述的口述影像版,因为有几名伙伴因时间旅行而视觉受损。
Screenwriter: Wan Qing, 44 Monthly
Director: Wan Qing
Cast: Ou Feihong, Zhang Hanlu, Wu Qin, Cheng Xinhao, Han Qian, Pan He, Liang Jianhua, Fung Junhua, Wan Qing
Venue Support: Rockbund Art Museum, Night School
In the office for reincarnation, "human beings", through working and feeling together, and through negotiation and disagreement, will face two questions: to be man or woman? New being or real being? This condition has been going on for three thousand years.
This film is a parallel narrative to the collective project Yuliang Leaving the Tofu Factory (44 Monthly Vol.9, The Good Life, Rockbund Art Museum, 2022), created at the invitation of Theatre 44.
* In 2023, an audio-described version of this film was recorded by Big Zhen from 44 Monthly Vol.10, in consideration of comrades who experienced visual impairment due to time travel.

67min | 2024
导演:万青
出镜:张涵露,欧飞鸿,万青
场景支持:阿那亚·金山岭,前台osf,刺高联记
简介:这是一趟罕见的旅程。我们前往北方的郊区写生,lu(张涵露饰)即将结束在广州甚至国内的连续生活,ou(欧飞鸿饰)念叨着未来十年在中国的云游养老,我徘徊在此,感受生命的无常和无意外。
过去七年,集体工作的经历我们并不缺乏,但,我的伙伴,我的朋友,我们并不真的相互了解,我们连自己都没做够。已太多的,是来不及告别就消失的,爱人友人甚至轻视过的人;这一回,我只想放弃掌控……
* 本片为“五日谈”小组项目(张涵露 x 万青 x 欧飞鸿)中的个体创作,由阿那亚艺术中心委任创作。
Director: Wan Qing
Cast: Zhang Hanlu, Ou Feihong, Wan Qing
Venue Support: Aranya Jinshanling, QianTai-osf, Ci Gao Union
This was a rare journey. We went to northern suburbs to paint from life. lu (played by Zhang Hanlu) was about to end her continuous life in Guangzhou and even in China. ou (played by Ou Feihong) talked about his ten-year travel plan to spend the senior ages in China. I wandered, feeling the impermanence of life, where no surprise existed.
Over the past seven years, we didn't lack the experience of collective work, but, my companions, my friends, we don't really know each other, we haven't even been ourselves enough. Too many are the ones who disappeared without a chance for farewell—lovers, friends, and even those once despised; this time, I just want to let go of control…
* This film is one of the individual creations of the group project A Talk in Five Days (Zhang Hanlu x Wan Qing x Ou Feihong, 2024),
and was commissioned by Aranya Art Center.

展览现场:“出门写生!”,阿那亚艺术中心,秦皇岛,2024。图片致谢阿那亚艺术中心
Installation view, Paint for Life! , aranya art center, Qinhuangdao, 2024. Photo courtesy of aranya art center.
万青,1993年生于重庆,2011年起主要生活在广州。早期关注、呈现多种社会议题及其互动关系,后强调与环境和对象的相互作用,向不确定性和共时性敞开,作品如“散步三部曲”系列;2022年底开启“双生集”系列,与身边不同背景的朋友展开共同创作;“动作集”是其在大大小小的社会空间中展开的身体练习。
万青也是一起练功和44剧场的成员、有限影厅的发起人、前台osf的打理人、五行针灸的实践者。生活、创作、群体实践,三者持续塑造着她的地貌。
Wan Qing (b. 1993, Chongqing) has been based in Guangzhou since 2011. Her early practice centered on exploring a range of social issues and their dynamics. In recent years, her focus has shifted toward interactions with the environment and subjects, opening her work to uncertainty and synchronicity, as seen in works like the Walking Trilogy. In late 2022, she began Symbiosis, an ongoing series of collaborative works with friends from diverse backgrounds. Her Movements series comprises embodied practices enacted across various social spaces.
Wan is also a member of Yi Qi Lian Gong (Energy Waving Collective) and Theatre 44, the initiator of limilink, a caretaker of Qiantai osf, and a practitioner of Five Element Acupuncture. Life, artistic practice, and collective work continuously shape her terrain.

部分展览记录:
(个体身份)
个展:
“盲人不按摩”,由外部空间策展团队(CPOAS)策划,麦勒画廊·弦xián,北京,2024
“点状的关切开始可以相互抵达”,夜校(由卞卡、李佳、桑田创立),上海,2022
群展:
“偏食”,弘美术馆,温州,2026
Under Light of Moon and Sun,99CANAL,纽约,2025
“让她降落”,阿那亚艺术中心,秦皇岛,2025
“投石问路”,莫干山美术馆,湖州,2025
“人间食粮”,外部空间,北京,2025
“我与你”,外部空间,北京,2024
“新人或真人”,立方计划空间,台北,2024
“病中行”,CEF实验影像中心,2023
“步行指南”,长征空间,北京,2023
“漫长的婚礼”,李筱天&吴文礼居所,广州,2018
(团体身份)
44剧场/44月报:
“伟大的掩饰”,外滩美术馆,上海,群展,2025
“美好生活”,外滩美术馆,上海,群展,2022
“完美之隙”,华宇艺术中心,三亚,群展,2021
“潘玉良:沉默的旅程 ”,广东时代美术馆,广州,群展,2017
张涵露x万青x欧飞鸿:
“出门写生!”,阿那亚艺术中心,秦皇岛,群展,2024
一起练功:
“野草——我们的生活”,第八届横滨三年展,横滨,2024
“应激之机”,泰康空间,北京,群展,2023
写母亲工作组:
“制性造别”,泰康空间,北京,群展,2018
Selected exhibitions:
* as an individual
Solo:
Blind Choice, curated by CPOAS, Galerie Urs Meile·Xián, Beijing, 2024
Dot-like Care Can Start to Reach Each Other, Night School (initiated by Bian Ka, Li Jia and Sang Tian), Shanghai, 2022
Group:
Digestive Ethics, Hong Museum, Wenzhou, 2026
Under Light of Moon and Sun, 99CANAL, New York, 2025
As She Descends, aranya art center, Qinhuangdao, 2025
Where the Stone Lands, Moganshan Museum of Art, Huzhou, 2025
Fruits of the Earth, Outside Art Space, Beijing, 2025
I and You, Outside Art Space, Beijing, 2024
New Being or Real Being, The Cube Project Space, Taipei, 2024
Time beyond Mourning, Centre for Experimental Film, 2023
Walking Guides, Long March Space, Beijing, 2023
A Long Wedding, The Residence of Li Xiaotian & Wu Wenli, Guangzhou, 2018
* as a member of a group
Theater 44 / 44 Monthly:
The Great Camouflage, Rockbund Art Museum, Shanghai, Group, 2025
The Good Life, Rockbund Art Museum, Shanghai, Group, 2022
The Perfect Flaw, Huayu Art Center, Sanya, Group, 2021
Pan Yuliang: A Journey to Silence, Times Museum, Guangzhou, Group, 2017
Zhang Hanlu x Wan Qing x Ou Feihong:
Paint for Life! , aranya art center, Qinhuangdao, Group, 2024
Energy Waving Collective:
Wild Grass: Our Lives, The 8th Yokohama Triennial, Yokohama, 2024
Bodily Reaction: Vitalizing The Bare Life, Taikang Space, Beijing, Group, 2023
Writing Mothers:
Genders Engender, Taikang Space, Beijing, Group, 2018
提名:
“未来之星 Future Greats”,艺术世界ArtReview,2023
“十荐4”,张献民,2024
收藏:
纽卡斯尔华语独立影像资料馆CIFA
写作散见于:
同时hxotnongd、ding-ding-fing! 、广东时代美术馆、ARTFORUM中文网、艺术世界ArtReview、艺术界LEAP
Nominated by:
Future Greats, ArtReview, 2023
Ten Recommendations 4, Zhang Xianmin, 2024
Collected by:
Chinese Independent Film Archive
Writings have appeared in:
Tong Shi_hxotnongd, ding-ding-fing!, Times Museum, Artforum, ArtReview, LEAP
Poem in Three Monologues | Translated by Ban Yan | World Poetry Review 2026
沈军 | 写万青:同柔共弱 | 歧路批评 2025
万青:如何学习艺术 | 艺术世界 ArtReview 2023
Future Greats | 万青,由任越推荐 | 艺术世界 ArtReview 2023